Haxandraok embarks on a new ritualistic voyage and revealed manifestation "The Temptress of UD DA KAR RA"

This is a prism of unlight. Unspeakable primal traditions are generated upon a diverse yet interdependent polarity, the sinister archetypes of the Witch and Warlock, the daemonic Initiators to the Black Arts and twin-bearers of the Key of NOX. A ruthless, demonic plunge into the cold arms of death, told by the blackest of scribes and channeled through an unhallowed wavelength that makes most black metal bands shiver in fear. Unto this nemeton to the Other, the Art of Magia Negra becomes a blade, athame, and cleaver, reaping the shroud of Corpus Mundi to unveil the crimson mysteries of Hexcraft and Necromancy.

Haxandraok emerged from the brass cauldrons of the Draconian Current in 2018, drenching their blades into the crimson waters of Hexcraft and Qliphothic Sorcery, to perform relentless Black Metal incantations and enchanted by the numinous traditions of the East, the classical connoisseurs of the West and the tribal reverence across the continents, Haxandraok emanate a witching lyricism fermented in atavistic Mysticism. Finally, they have unleashed their first excerpt "The Temptress of UD DA KAR RA". Bearing the title “KI SI KIL UD DA KAR RA” of the debut release of Haxandraok is set to be revealed upon the mundane planes on 17th December 2019 through the mighty Ván Records, in a royal CD & LP format. "The Temptress of UD DA KAR RA" is perfect shadowy artistry. 

Haxandraok is a new project by Chris Argyros (Acherontas, DEVATHORN, Shibalba) and Marcel Szumowski ( Ex- Inferno, Ex - Panegyrist, Besatt Horde ). The ancient locus of "KI SI KIL UD DA KAR RA" consists of a brazen mantra of Qliphothic Sorcery and primordial Witchcraft. The obsession with anything outre is not exactly a novelty in the metal scene, but occasionally it will assume a much more complex and nuanced dimension owing to musicians who insist on addressing such topics with utmost maturity and profundity.

Mixing black metal with esoteric, obscure, mysterious, introspective passages, dense otherworldly blasting, avant-garde together was always their forte. They have created a sound as powerfully evil and they intend to abuse us with a punishingly relentless display of rhythms and some overall solid riff, albeit a touch generic for the genre.

In the triumph of the occult and ritual Black Metal of the past few years, some bands lacked the necessary credibility. Numerous bands have created albums based around their own ideas that take insight from creative writing, but few bands will dedicate the entire span of an album to the relevant interpretation of the belief With the emergence and escalation of the novel and notorious tendency. In the all previous project, Chris Argyros and Marcel Szumowski both exudes tremendous, cohesive effort on every release with excellent diligence and nailed it. Looking forward to their whole studio effort, pretty damn sure that'd consist with absolute prime, with a seething torrent of insidious melody, the magic of alchemy, cryptic matters and arcane secrets and bear the torch of Malefica on the crossroad amidst the unmapped seas to the Beyond, the fiery gaze of DRAKON tearing the Worlds apart. 

Their musical style has a hypnotic effect and especially ritualistic, esoteric, arcane vibe which adds to the more atmospheric kind of black metal but at the same time, the vocals and other parts of the riffing are straight forward blasphemous simultaneously.

 They have poured their musical devotion into a chalice of sulphur flame where it burns with obsidian light. As well as they have injected ritualistic essence, obscure, arcane, esoteric vibes into blasphemous black metal style. Their musical representation evolves into souls wandering the vicious, crushing and ominous wasteland.

Despite the often mysterious ,furious,cacophonous ,heavy and barbarous form of black metal assaults  laced with dark eerie,gloomy  and occult  atmosphere with a lots of segments of slower,mid-paced tempo too where they combine cavernous drum thrashes, hellish guitars etc all  aspects  enriched this new track very powerful, strong and excellent all at the same time along with a good  balance  of black metal music, melody and brutality with strangulated, filthy, horrific riffs work and those effective chants simultaneously borrow blackened, gloomy, sinister vibe. 

They know how to hone their aggression to deal with some grievous wounds. Their new effort indulges strong songwriting and brilliant musicianship. Vocals howling scream, hoarse , immense, inhuman voice and effective chants emerged on this manifestation in a well manner and intertwined perfectly with their utterly  spellbinding,obtuse, mysterious,fully blistering, blasphemous, ritualistic, grandiose  black metal,distant musical style with a lots of melodic,atmospheric,occult,ritualization accompaniment  and  embedded perfectly . I highly appreciate and embrace their effort because of their distinct style.

Indeed Haxandraok will write another chapter in their book of successive masterpieces. If you looking for something different, esoteric, ritualistic, epic take a look at this pure unadulterated black metal utterance by Haxandraok for pure nihilistic negative space and black metal where music has the power to transcend the spoken word. It will pull out your soul from your body and take you on a journey into another universe. This is a Typhonian dissolving Draconian formula that acts and reacts the golden scimitar of Iblis drenched into the dessert madness, flaying the layers of reality and self to unearth despicable truths. HDHM.

Review is written and Published by Souvik Basu. Dated 23/11/2019

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